AUDIO SIGNALS ON STAGES | Frequently asked questions

– I need the mic-line signals from stage to be sent independently to FOH and Monitors?, since independent control of the preamps is required. So I need to distribute these signals to 2 different consoles, how can I do it?

– The equipment you need is an audio distributor for mic/line signals that distributes each of the signals to both consoles.

– I would like to make the stage connections using several individual connection boxes distributed around the stage

– It is very common and practical. You need remote boxes with the number of channels you require (8, 12, 16…) and the corresponding multicores, connected to each box with an LK multi-connector, for example. These multicores are then connected to the inputs of the mic/line audio distributor.

– Could I integrate this distributor in the same flight case as my Digital Stage Box?

– We could do it through a Digi Rack Box (DR). In this way, in addition:
1. You save the multicore going to the PA Digital Stage Box.
2. You avoid making direct connections/disconnections on your digital Stage Box.
3. You have the possibility of including a Remote Box Patching module to reorder the channels as required in each event.

– – And if not, what other option is there?

– You would have the audio distributor in its own flight case, either Briefcase (M) or Great Event (G), and you would need multicores connected to both Digital Stage Boxes: FOH and monitors.

– And what if I need to distribute the signals to a third recording console from an external company in addition to FOH and Monitors?

– Your audio distributor would include outputs with galvanic isolation, by means of a transformer, to avoid possible problems with equipment outside your company.

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